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A Havoc Proof for Secure and Robust Audio Watermarking
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International Journal of Computer Science and Security (IJCSS)
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Volume:  3    Issue:  6
Pages:  448-594
Publication Date:   January 2010
ISSN (Online): 1985-1553
Pages 
536 - 549
Author(s)  
K.Vaitheki - India
R.Tamijetchelvy - India
 
Published Date   
 
Publisher 
CSC Journals, Kuala Lumpur, Malaysia
ADDITIONAL INFORMATION
Keywords   Abstract   References   Cited by   Related Articles   Collaborative Colleague
 
KEYWORDS:   Audio watermarking, Information hiding, Copyright protection, Multiple Scrambling 
 
 
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The audio watermarking involves the concealment of data within a discrete audio file. Audio watermarking technology affords an opportunity to generate copies of a recording which are perceived by listeners as identical to the original but which may differ from one another on the basis of the embedded information. A highly confidential audio watermarking scheme using multiple scrambling is presented Superior to other audio watermarking techniques, the proposed scheme is self-secured by integrating multiple scrambling operations into the embedding stage. To ensure that unauthorized detection without correct secret keys is nearly impossible, the watermark is encrypted by a coded-image; certain frames are randomly selected from the total frames of the audio signal for embedding and their order of coding is further randomized. Adaptive synchronization is improves the robustness against hazardous synchronization attacks, such as random samples cropping/inserting and pitch-invariant time stretching. The efficient watermarking schemes make it impossible to be detected and robust even though the watermarking algorithm is open to the public. 
 
 
 
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3 R. Tachibana, “Improving audio watermarking robustness using stretched patterns against geometric distortion”, IEEE Pacific-Rim Conference on Multimedia (PCM’02), pp. 647-654, 2002.
4 Tong Won Seok and Jin Woo Hong, “Audio watermarking for copyright protection of digital audio data”, Electronics Letters, Vol. 37, No. 1,2001.
5 Y.Q. Lin, W.H. Abdulla, “Robust audio watermarking for copyrights protection”, Technical Report (No. 650), Dept. of Electrical & Computer Engineering, The University of Auckland, 2006. http://www.ece.auckland.ac.nz/~wabd002/Publications.
6 Y.Q. Lin, W.H. Abdulla, “Robust audio watermarking technique based on Gammatone filterbank and coded image”, International Symposium on Signal Processing and Its Application (ISSPA’07), 2007.
7 Eric Metois, Ph.D. “Audio Watermarking and Applications”, ARIS Technologies, Inc. – September 1999.
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10 http://www.ece.uvic.ca/~aupward/w/watermarking.htm.
11 Yiqing Lin Waleed H. Abdulla “A Secure and Robust Audio Watermarking Scheme Using Multiple Scrambling and Adaptive Synchronization” International Symposium on Signal Processing and Its Application, 2007
12 W. Li, X. Xue, “An audio watermarking technique that is robust against random cropping”, Computer Music Journal, vol. 27, no. 4, pp. 58-68, 2003.
13 EBU, “SQAM - Sound Quality Assessment Material”, http://sound.media.mit.edu/ mpeg4/ audio/ sqam/
14 Essaouabi Abdessamad ,E.Ibneihaj, F.Regragui,” A Wavelet- based object watermarking system for MPEG4 Video “, International journal of Image Processing,(IJIP),volume (3): issue(6).
 
 
 
1 W. Barkouti, S. Oueslati and A. Cherif, “PCM Encoding and a Spread Spectrum Modulation in the Watermarking System”, The Online Journal on Computer Science and Information Technology (OJCSIT), 2(1), pp. 111-114, January, 2012.
 
 
 
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K.Vaitheki : Colleagues
R.Tamijetchelvy : Colleagues  
 
 
 
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